Bertien Van Manen

Bertien Van Manen

Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:

Mack Books
2021
with:
Edition:
1st
Edition size:
Signed
Out of Print
Other edition(s):
Softcover with DJ
ISBN:
9781912339662
Condition: Near Fine

Signed on a slip glued to the binding on the last page.

Mack Books
2014
with:
Edition:
1st
Edition size:
Signed
Out of Print
Other edition(s):
Hardcover with dust jacket
ISBN:
9781907946622
Condition: Near Fine

Moonshine is an intimate, nearly three-decade-long portrait of Appalachian communities in the United States. Van Manen first visited the mining regions of Kentucky, Tennessee, and West Virginia in 1985, returning periodically up until 2013 to document the families she stayed with.

Unlike stereotypical or sensationalized portrayals of the region's poverty or "hillbilly" tropes, Van Manen's work focuses fiercely on human connection and daily life. By embedding herself with the locals (such as the Boggs family and miners like Mavis and Junior), her photography captures raw, unpretentious moments of intimacysuch as children playing on couches or a daughter combing her grandmother's hair.

The book serves as an intergenerational family album that subtly chronicles the slow demise of the local coal-mining industry and the cultural shifts within Appalachia, including the migration from traditional wooden cabins to urban trailer parks.

To convey the passage of time and the inevitability of change, Van Manen visually contrasts her earlier black-and-white photographs with her later color work. Her organic, spontaneous aesthetic eschews large cameras and clinical detachment, opting instead for a deeply empathetic and personal style.

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Bertien van Manen, Dutch (1935-2024)

Van Manen was an acclaimed Dutch documentary photographer known for her deeply intimate, empathetic portraits of everyday life across the globe. She initially studied French and German literature at Leiden University and began her career as a fashion photographer in Amsterdam in the 1970s. However, after discovering Robert Frank’s seminal photobook The Americans, she abandoned commercial work to pursue a personal, candid style of documentary photography using small, unobtrusive cameras.

Rather than acting as an objective or detached observer, van Manen immersed herself in the lives of her subjects, spending long periods building relationships with individuals and families in their private homes.

Her key photobooks include:

  • A Hundred Summers, a Hundred Winters (1994): Photographs documenting daily life across the former Soviet Union shortly after its collapse.
  • East Wind West Wind (2001): An intimate look at people and domestic spaces across China.
  • Give Me Your Image (2005): A project capturing personal photographs displayed inside the homes of ordinary European residents.
  • Let's Sit Down Before We Go (2011) & Moonshine (2014): Explorations of Russia and Appalachian mining communities in the United States, respectively.

Van Manen’s work is held in major international public collections, including The Museum of Modern Art (MoMA) in New York, the Rijksmuseum in Amsterdam, and the Centre Pompidou in Paris. She passed away in May 2024.