Gerhard Richter

Gerhard Richter

Gerhard Richter

Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:

→
Cantz
2002
with:
Edition:
2nd Print (1996)
Edition size:
Out of Print
→
Anthony d'Offay
1998
with:
Edition:
1st
Edition size:
Out of Print
→

This is not the softcover version.

MOMA
2002
with:
Edition:
1st
Edition size:
Out of Print
→
Cantz & Serpentine
2008
with:
Edition:
1st
Edition size:
Out of Print
→
DAP
2011
with:
Edition:
2nd (2006)
Edition size:
Out of Print
→
Walther König
2015
with:
Edition:
1st
Edition size:
800
Out of Print
→
Cantz
2011
with:
Edition:
1st
Edition size:
Out of Print
→
Cantz
2013
with:
Edition:
1st
Edition size:
Out of Print
→
Cantz
2015
with:
Edition:
1st
Edition size:
Out of Print
→
Walther König
2019
with:
Michael Schmidt
Edition:
1st
Edition size:
Out of Print
→
DAP
2002
with:
Edition:
1st
Edition size:
Out of Print
→
Anthony d'Offay
1991
with:
Edition:
1st
Edition size:
Out of Print
→

Book colophon refers to ISBN 0944219209. Book survived the fire of Peter Schjeldahl's NY home.

Marian Goodman
2012
with:
Edition:
1st
Edition size:
Signed
Out of Print
→
Gagosian
2013
with:
Edition:
1st
Edition size:
Out of Print
Wald
▲
All images
→
Walther König
2008
with:
Edition:
1st
Edition size:
Out of Print
→

Edited by Joe Hage and Hans Ulrich Obrist, this publication offers as of 2025 the most comprehensive account of Richter's Overpainted Photographs, a body of work he began creating in the mid-1980s and developed over the following decades.

The six-volume edition features contributions from world-renowned cultural voices, including curator of contemporary art Hans Ulrich Obrist; art critics Robert Storr and the late Achim Borchardt-Hume; Siri Hustvedt and Botho Strauss. The Overpainted Photographs, drawn mostly from the artist's personal snapshots, depict landscapes, cityscapes, family moments and travels.

Using oil paint or lacquer, Richter employs techniques such as pressing photos onto paint, flicking droplets and applying paint with squeegees or spatulas. The dialogue between the smooth photographic surface and the tactile texture of the paint―marked by gaps and ripples―invites associations with patterns, shapes and colors, ultimately challenging our perception of the captured reality.

Heni
2025
with:
Edition:
1st
Edition size:
Out of Print
→
Cantz
2008
with:
Edition:
1st
Edition size:
Out of Print
→
MOMA
2000
with:
Edition:
1st MOMA
Edition size:
Out of Print
→
Cantz
2001
with:
Edition:
1st
Edition size:
Out of Print
→
Guggenheim
2002
with:
Edition:
1st
Edition size:
Out of Print
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No items found.