Issei Suda

Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:

→
Akio Nagasawa
2012
with:
Edition:
1st numbered 122/350
Edition size:
350
Signed
Out of Print
→
Chose Commune
2020
with:
Edition:
1st
Edition size:
Out of Print
→

Issued with 3 different covers, each in a set of 300. This copy has the light bulb cover.

Super Labo
2015
with:
Edition:
1st SIGNED
Edition size:
750
Out of Print
→
Chose Commune
2022
with:
Edition:
1st
Edition size:
Out of Print
→
Nazraeli
2012
with:
Edition:
1st SIGNED with SIGNED PRINT numbered 17/100
Edition size:
100+36APs
Out of Print
2012
Out of Print
Signed
Edition:
1st SIGNED with SIGNED PRINT numbered 17/100
Prior edition(s):
Hardcover with dust jacket
Conditon:
Near Fine
No items found.
No items found.

Issei Suda (1940–2019) was a highly celebrated Japanese photographer recognized for his masterful square-format, black-and-white images that capture the subtle surrealism and quiet tension of everyday life in Japan. Born in Tokyo, he initially worked as a stage photographer for an avant-garde theater troupe before transitioning to freelance photography in the early 1970s. Suda was deeply fascinated by the intersection of traditional Japanese culture, folk festivals, and the rapidly modernizing urban streets of Tokyo and surrounding prefectures. His keen eye often isolated ordinary subjects, passersby, street performers, animals, and urban fragments, infusing them with a slightly unsettling, otherworldly quality.

Throughout his prolific career, Suda published numerous influential photobooks that are highly sought after by collectors, including Boso Fudoki, Kamagasaki Magic Lantern, Holly Night, and Sparrow Island. His work is represented in the Bushwick Sur Seine collection through some of these titles, along with 1975 Miuramisaki and 78, as well as specific prints from Sparrow Island and his Polaroid works. Today, his photographs are celebrated globally and held in major institutions, cementing his legacy as one of the most distinctive and poetic voices in post-war Japanese photography.

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