Mark Steinmetz

Mark Steinmetz

Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:

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Nazraeli - One Picture Books Two
2022
with:
Edition:
1st
Edition size:
500
Numbered 275/500 with Signed Print
Out of Print
→

Signature of a card affixed to the inside of the back cover.

Koenig Books
2020
with:
Edition:
1st
Edition size:
Signed
Out of Print
→
Nazraeli
2009
with:
Edition:
1st
Edition size:
25
Signed with Print numbered 12/25
Out of Print
→
Chose Commune & Omne
2023
with:
Irina Rozovsky
Edition:
1st
Edition size:
Out of Print
→
Stanley Barker
2018
with:
Edition:
1st
Edition size:
1000
Out of Print
→

Limited edition of the book with a signed print.

Stanley Barker
2018
with:
Edition:
1st
Edition size:
50
With Signed Print
Out of Print
→

One of the 4 volumes of the 2010 TBW Books Series 3.

TBW Books
2010
with:
Edition:
1st numbered 662/800
Edition size:
800
Out of Print
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Stanley Barker
2021
with:
Edition:
1st
Edition size:
Out of Print
→

This is the re-edition of the three books published between 2007 and 2009. This is the first edition as a three-volume slipcase.

Nazraeli
2020
with:
Edition:
2nd SIGNED and numbered as AP (2007 to 2009)
Edition size:
250
Out of Print
No items found.
No items found.

Mark Steinmetz, American, b. 1961

Steinmetz is an American photographer celebrated for his lyrical, black-and-white documentary practice. Educated at the Yale School of Art, where he graduated with an MFA in photography in 1986, his work bridges the rigorous observational tradition of mid-century street photographers with a deeply empathetic, cinematic humanism. Steinmetz predominantly works with black-and-white medium format film, developing and printing his images in his own darkroom, maintaining a consistent technical discipline since the mid-1980s. His photographs have been recognized with a Guggenheim Fellowship and are held in the permanent collections of major institutions, including the Museum of Modern Art, the Metropolitan Museum of Art, and the Art Institute of Chicago.

Throughout his career, Steinmetz has consistently chronicled the quiet, ordinary moments of everyday life, primarily focusing on the American South. He frequently directs his lens toward the transitional spaces of the American landscape, suburban fringes, rural highways, and overgrown lots, and the restless youth who inhabit them, capturing a profound sense of displacement and isolation. Aesthetically, Steinmetz relies on natural light to render his subjects with exquisite tonal clarity and depth. His compositions are deceptively casual yet rigorously structured, stripping away dramatic spectacle in favor of subtle gestures, glancing looks, and the organic textures of the built environment. This methodical framing elevates mundane encounters into melancholic meditations on adolescence, solitude, and the passage of time.

Steinmetz’s extensive output of photobooks cements his legacy as a master of the printed page. He is perhaps best known for his celebrated South trilogy, comprising South Central, South East, and Greater Atlanta, published by Nazraeli Press, which function as highly sequenced, tactile narratives. Beyond this monumental trilogy, his prolific collaboration with publishers like Nazraeli Press and Stanley/Barker has yielded essential monographs such as Summertime, Fifteen Miles to K-Ville, and Paris in My Time.

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