Naoya Hatakeyama

Naoya Hatakeyama
To artist biography

Naoya Hatakeyama

Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:

2003
with:
Edition:
1st SIGNED
Edition size:
2000
Out of Print
Other edition(s):
Two-fold cloth boards in plastic slipcase
ISBN:
9781590050800
Condition: Near Fine
Edition:
6/50
Sold Out
Year of work:
2003
Image size:
290 x 170 mm
Print size:
matted
Printed in
2006
Framed size:
405 x 295 mm
Provenance:
Nazraeli
C Print
Condition:
Pristine

Special edition with book

Literature and Collections:
No items found.
No items found.

Naoya Hatakeyama, Japanese b. 1958

Born in Rikuzentakata, Iwate Prefecture, Japan, Naoya Hatakeyama is one of Japan's most prominent contemporary fine-art photographers. He studied under influential photographer Kiyoji Otsuji at the University of Tsukuba's School of Art and Design, graduating in 1981 and completing his postgraduate studies in 1984 before relocating to Tokyo.

Hatakeyama’s work centers on the relationship between nature, human industry, and the urban environment. Rather than presenting nature and cities as opposing forces, he views them as interconnected stages of a single transformation. He famously sees limestone quarries and modern concrete cities as the "negative" and "positive" of the same material, tracing how ancient natural stone is extracted, processed, and rebuilt into modern urban landscapes.

His large-format color photographs feature meticulous composition, clean architectural geometry, and a precise, objective, and quiet aesthetic.

His key projects and photobooks include:

  • Lime Works (1996): His breakthrough series capturing Japan's limestone mines, factories, and quarries, which won the prestigious 22nd Kimura Ihei Award in 1997.
  • Blast (1995–present): High-speed captures capturing the exact, explosive moments dynamite detonates rock face inside limestone quarries.
  • Underground & River (1990s): Investigations into Tokyo's man-made waterways and subterranean sewer networks.
  • Rikuzentakata Series (2011–present): Following the catastrophic 2011 Tōhoku earthquake and tsunami, which destroyed his hometown—Hatakeyama turned his lens toward documenting the aftermath, loss, and gradual, radical rebuilding of Rikuzentakata.

Hatakeyama represented Japan at the 49th Venice Biennale in 2001. His work is held in major international collections, including the MoMA in New York, the Tate in London, the Victoria and Albert Museum, and the National Museum of Modern Art in Tokyo.