Takuma Nakahira

Takuma Nakahira

Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:

Osiris
2010
with:
Edition:
2nd (1st edition in this format)
Edition size:
Out of Print
Other edition(s):
Originally published in 1970
Hardcover without dust jacket, as issued
ISBN:
9784990123987
Condition: Near Fine
2010
Out of Print
Signed
Edition:
2nd (1st edition in this format)
Prior edition(s):
Originally published in 1970
Hardcover without dust jacket, as issued
Condition: Near Fine
Little Big Man
2013
with:
Takashi Homma
Edition:
1st numbered AP/300
Edition size:
300
Out of Print
Other edition(s):
Double spiral binding soft
ISBN:
Condition: Near Fine

About 30 APs were released with this 1st edition of 300.

Nitesha
2018
with:
Daido Moriyama, Yutaka Takanashi, Koji Taki, Takahido Okada
Edition:
2nd facsimile reprint.
Edition size:
Out of Print
Other edition(s):
Originally published in 1968. First facsimile produced by Steidl in 2001.
3 softcovers + translation leaflet in English and Japanese
ISBN:
Condition: Fine

This reprint does not include texts by Takahiko Okada due to copyright reasons.

2018

Nitesha

Out of Print
Signed
Edition:
2nd facsimile reprint.
Prior edition(s):
Originally published in 1968. First facsimile produced by Steidl in 2001.
3 softcovers + translation leaflet in English and Japanese
Condition: Fine
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Takuma Nakahira, Japanese, 1938-2015.

Born in Tokyo, Nakahira graduated from the Spanish Department of the Tokyo University of Foreign Studies. From the mid-1960s, Nakahira began publishing many essays on photography and film in various magazines and around the same time started taking photographs. He then co-founded the quarterly coterie magazine for photography, Provoke, subtitled “Provocative Materials for Thought” with Koji Taki, Yutaka Takanashi, and Takahiko Okada (Daido Moriyama contributed to the second and third issues). Provoke’s grainy, blurry and unfocused photographs moved away from established aesthetics and conventions to make a strong impact on the photographic scene in Japan at that time. After the publication of For a Language to Come, in the title essay of the 1973 collection of his writings, Why an Illustrated Botanical Dictionary? he critically reexamined his previous photographs. Immediately after the publication of the seminal book, Duel on Photography, which coupled Nakahira’s essays together with photographs by Kishin Shinoyama, Nakahira succumbed to an illness in November 1977 that brought him near death. Though he was tormented with memory loss and aphasia, Nakahira gradually recovered and started taking photographs once more.

In the 1980s, he published two photobooks of his works after 1978, A New Gaze and Adieu à X, and later, Hysteric Six Nakahira Takuma in 2002. In 2003 the large-scale retrospective, “Nakahira Takuma: Degree Zero –Yokohama” at the Yokohama Museum of Art was held with more than 800 photographs from his formative period to 2003 and his work received renewed attention. Nakahira had solo exhibitions at Shougoarts, Tokyo in 2004 and 2007 and participated in many group exhibitions in Japan and abroad. Two films on Nakahira, directed by Takashi Homma and Masashi Kohara were made. In 2007, a collection of more than fifty of Nakahira’s essays up to 1977 was published.