Jan Kempenaers’ Composite (published by Roma Publications) expands upon his long-standing interrogation of spatial typologies, monumentality, and photographic abstraction. Building on the formal strategies of his renowned Spomenik project, the volume presents a series of detached documentary photographs capturing isolated architectural structures, modernist relics, and enigmatic monuments situated within nondescript or overgrown landscapes. Stripped of explicit titles, geographical markers, or explanatory text, these imposing forms are presented purely as physical objects, forcing the viewer to confront their volume, scale, and strange material presence in complete isolation.