Axel Hutte

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Ca'Corner Della Regina-3 (2012/2014)

Edition:
43/100
Sold out from gallery or publisher
Signature on the back of the mounted print
Print on mirror board
Condition:
Pristine
Sold Out
Image size:
59.5 x 50 cm
Print size:
59.5 x 50 cm
Framed size:
unframed
Dimensions:
x
"
Provenance:
Texte zur Kunst
Year of work:
2012
Printed in
2014
$
1020
Inquire
Currently on hold
$
1020
(incl. shipping)
Currently on hold
Note: prints larger or higher than 17" are custom-shipped.
Please inquire about shipping methods & costs.

The photograph captures the interior architecture of Ca' Corner della Regina, a magnificent 18th-century palazzo located on the Grand Canal in Venice (which currently serves as the Venetian headquarters for the Fondazione Prada).

The image is printed directly onto a mirror board. This reflective surface actively incorporates the viewer and the surrounding room into the image, destabilizing the rigid, strictly objective viewing experience typically associated with Hütte's German contemporaries.

True to Hütte's mature style, the image strips away human presence, focusing instead on the atmospheric and structural geometry of the space. The reflective medium further enhances the ghostly, labyrinthine feel of the Venetian palazzo.

Axel Hutte

Icon for no cover picture available yetCa'Corner Della Regina-3 (2012/2014)
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Copyright ©
Axel Hutte
or applicable right holders.

Ca'Corner Della Regina-3 (2012/2014)

Edition:
43/100
Sold out by gallery or publisher
Signature on the back of the mounted print
Signed
Image size:
59.5 x 50 cm
Print size:
59.5 x 50 cm
Frame size:
unframed
Provenance:
Texte zur Kunst
Year of work:
2012
Print on mirror board
Printed in:
2014
$
1020
Inquire
Currently on hold
Note: prints larger than 18" are custom-shipped. Inquire about shipping methods & costs.
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The photograph captures the interior architecture of Ca' Corner della Regina, a magnificent 18th-century palazzo located on the Grand Canal in Venice (which currently serves as the Venetian headquarters for the Fondazione Prada).

The image is printed directly onto a mirror board. This reflective surface actively incorporates the viewer and the surrounding room into the image, destabilizing the rigid, strictly objective viewing experience typically associated with Hütte's German contemporaries.

True to Hütte's mature style, the image strips away human presence, focusing instead on the atmospheric and structural geometry of the space. The reflective medium further enhances the ghostly, labyrinthine feel of the Venetian palazzo.

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