Thomas Ruff

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Substrate 2009, Series of 8

Edition:
35/75
Sold out from gallery or publisher
Signed
Digital pigment print on leporello
Condition:
Pristine
Sold Out
Image size:
Print size:
32 x 200 cm
Framed size:
Dimensions:
x
"
Provenance:
Schellmann
Year of work:
Printed in
2009
$
5700
Inquire
Currently on hold
$
5700
(incl. shipping)
Currently on hold
Note: prints larger or higher than 17" are custom-shipped.
Please inquire about shipping methods & costs.
Literature & Collections:

Another impression in this same edition is included in the Bredin Prat Foundation collection.

‍

A continuation of Thomas Ruff’s celebrated Substrates series, this edition assembles eight images that dissolve narrative into layered color and light , transforming digital imagery into pure aesthetic experience. For Substrates, Ruff draws from internet-sourced comic images, layering and multiplying them through digital processing until they lose all narrative coherence. What remains are vibrant fields of swirling color and light, detached from clear meaning yet rich in visual impact. Thus, Ruff investigates the nature of contemporary visual culture, where virtual images are no longer representations of reality but autonomous aesthetic signals, abstract, seductive, and fundamentally ambiguous.

This edition is part of Schellmann's special 40th anniversary release - Fourty are Better than One, it is realised as a leporello that folds down to a 32 × 25 cm format.

Thomas Ruff

Icon for no cover picture available yetSubstrate 2009, Series of 8
SOLD
Copyright ©
Thomas Ruff
or applicable right holders.

Substrate 2009, Series of 8

Edition:
35/75
Sold out by gallery or publisher
Signed
Signed
Image size:
Print size:
32 x 200 cm
Frame size:
Provenance:
Schellmann
Year of work:
Digital pigment print on leporello
Printed in:
2009
$
5700
Inquire
Currently on hold
Note: prints larger than 18" are custom-shipped. Inquire about shipping methods & costs.
All images ▶
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A continuation of Thomas Ruff’s celebrated Substrates series, this edition assembles eight images that dissolve narrative into layered color and light , transforming digital imagery into pure aesthetic experience. For Substrates, Ruff draws from internet-sourced comic images, layering and multiplying them through digital processing until they lose all narrative coherence. What remains are vibrant fields of swirling color and light, detached from clear meaning yet rich in visual impact. Thus, Ruff investigates the nature of contemporary visual culture, where virtual images are no longer representations of reality but autonomous aesthetic signals, abstract, seductive, and fundamentally ambiguous.

This edition is part of Schellmann's special 40th anniversary release - Fourty are Better than One, it is realised as a leporello that folds down to a 32 × 25 cm format.

Literature & Collections:

Another impression in this same edition is included in the Bredin Prat Foundation collection.

‍