Thomas Demand

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The Stove (Joseph Beuys)

Edition:
17/100
Sold out from gallery or publisher
Signed on print's recto below the image
C-Print
Condition:
Pristine
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Image size:
31 x 26.4 cm
Print size:
35.5 x 28 cm
Framed size:
Unframed
Dimensions:
x
"
Provenance:
Nazraeli Six by Six Set 5
Year of work:
2013
Printed in
2013
$
2220
Inquire
Currently on hold
$
2220
(incl. shipping)
Currently on hold
Note: prints larger or higher than 17" are custom-shipped.
Please inquire about shipping methods & costs.

Thomas Demand’s The Stove (Joseph Beuys) investigates memory, historical artifact, and the act of artistic reconstruction through the artist's signature photographic process. Based on a historical event or site associated with Joseph Beuys, Demand meticulously reconstructs the subject entirely out of paper and cardboard in his studio before photographing the model and immediately destroying it.

The resulting image captures an uncanny space where the ordinary object, in this case, the stove, is rendered simultaneously hyper-detailed and artificial. By stripping away organic weathering and replacing it with flat, colored paper surfaces, Demand forces the viewer to confront the precariousness of historical preservation and the way photography mediates our relationship to the past.

Thomas Demand

Icon for no cover picture available yetThe Stove (Joseph Beuys)
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Copyright ©
Thomas Demand
or applicable right holders.

The Stove (Joseph Beuys)

Edition:
17/100
Sold out by gallery or publisher
Signed on print's recto below the image
Signed
Image size:
31 x 26.4 cm
Print size:
35.5 x 28 cm
Frame size:
Unframed
Provenance:
Nazraeli Six by Six Set 5
Year of work:
2013
C-Print
Printed in:
2013
$
2220
Inquire
Currently on hold
Note: prints larger than 18" are custom-shipped. Inquire about shipping methods & costs.
All images ▶
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Thomas Demand’s The Stove (Joseph Beuys) investigates memory, historical artifact, and the act of artistic reconstruction through the artist's signature photographic process. Based on a historical event or site associated with Joseph Beuys, Demand meticulously reconstructs the subject entirely out of paper and cardboard in his studio before photographing the model and immediately destroying it.

The resulting image captures an uncanny space where the ordinary object, in this case, the stove, is rendered simultaneously hyper-detailed and artificial. By stripping away organic weathering and replacing it with flat, colored paper surfaces, Demand forces the viewer to confront the precariousness of historical preservation and the way photography mediates our relationship to the past.

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