
Look Inside
Which art books, prints and posters are available by and about this artist? Here is a sample of items of interest to a typical collector:
Houghton and Mifflin
Houghton and Mifflin
From 1973 to 1974, Lee Friedlander and Burt Wolf edited four iconic portfolios at the Double Elephant Press in New York, featuring photographs by some of the most influential photographers of the twentieth century: Manuel Alvarez Bravo, Walker Evans, Garry Winogrand, and Lee Friedlander himself. Each of the four limited edition portfolios contained fifteen photographs by each artist, representing their distinct visions that can be described in the words of Walker Evans as “oddly refreshing, unselfconsciously striking, and unpredictably adventurous.”
This publication from 2015 honored the unique collaborative project that was to become a touchstone in the history of photography.
Also included in the Getty museum collecion.
Many are Called, HMCO, 1966, p. 58.
First and Last, 1978
A print of this photograph is included in the MOMA Collection.
Walker Evans, First and Last, Harper, 1978
American Photographs, MOMA, 1938; Walker Evans, First and Last, Harper and Row, New York, 1978, p. 122; The Metropolitan Museum of Art, New York, Princeton 2000, plate 44 and ill. on front cover; Walker Evans, Signs, Getty, 1998, p.32 (cropped image).
Other impressions of this print are included in the collections of MOMA, NY (object 1461.1968), the Metropolitan Museum of Art, NY (object 2008.663) and a cropped image print is at the Getty Museum, LA (object 84.XM.956.476).
Message from the Interior, Eakins Press, 1966
First and Last, 1978
This uncropped contact print is a working print used during Walker Evans’ commission to document the works included in the Museum of Modern Art’s 1935 landmark exhibition African Negro Art. In 2000, The Metropolitan Museum of Art organised Perfect Documents: Walker Evans and African Art, 1935, an exhibition that explored this multifaceted commission, which saw Evans photograph over 600 sculptures during the course of the six-week exhibition. In the catalogue that accompanied the Met’s exhibition, curator Virginia-Lee Webb writes, “If unwanted elements found their way into the negative or print, he simply cut them away. Evans’ repuation as a ruthless editor of his own work is strikingly demonstrated in the African art series, as is his highly personal and stylized approach
A print of the finished study is held by the Getty Museum, Los Angeles, ref. 84.XM.488.25
This is a working print from Walker Evans famous Masks series photographed during the 1935 MOMA exhibition.
A print of the finished study is held by the Metropolitan Museum, NYC (Ref 1971.646.1).
This is a working print from Walker Evans famous Masks series photographed during the 1935 MOMA exhibition.
A print of the finished study is held by the Metropolitan Museum, NYC (Ref 1971.646.1).
Walther König / Quadrat Bottrop Museum
Walther König / Quadrat Bottrop Museum
Delpire
Delpire
In A Reprise, David Alekhuogie remixes Walker Evans’s photographs of African art, provoking timely questions about authorship and authenticity.
Walker Evans, American (1903–1975)
Walker Evans’s black-and-white photographs are defining documents of 20th-century America. His elegant, clear-eyed frames capture the specificities of vernacular life across the country; his subjects range from dense cityscapes and cluttered storefronts in New York City to sharecroppers inAlabama and barbers and churches in small towns and rural areas. Evans helped pioneer the documentary and street modes of photography, and his work influenced major figures including Robert Frank, Diane Arbus, Lee Friedlander, and Bernd and Hilla Becher.
He found institutional success early in his career with shows at the Museum of Modern Art, and his books, including American Photographs, Let Us Now Praise Famous Men and Many Are Called, remain some of the most famous publications of photography from the 20th century. Evans’s work has sold for six figures on the secondary market and belongs in the collections of theMuseum of Modern Art, the Art Institute of Chicago, the J. Paul Getty Museum, the Metropolitan Museum of Art, and the Whitney Museum of American Art, among other institutions.

Very first edition of the iconic book by Evans.